The Roman Temple
Located in the heart of the old town, dating from the late 2nd or early 3rd century, it is the best preserved in the whole of Portugal, despite having been used as a slaughterhouse until1870. It comprises a small masonry-worked platform, a flight of stairs and over a dozen columns in granite with Corinthian capitals and marble wall panels. There is doubt as to whether it was dedicated, as believed, to the goddess, Diana.
Converted into a market in the Middle Ages, it was built into the castle walls until the 19th century when it recovered its original structure.
Dos Lóios Convent
This 15th century convent is located opposite the Roman temple and is now a Pousada Nacional (tourist accommodation). Nowadays, its cloisters are a summer dining room. Sumptuously decorated, its rooms look out over an inside courtyard, in late Portuguese Gothic on the lower level and Renaissance on the upper level.
Double Moorish arches, slender pillars and intricate sculpted decoration adorn the chapterhouse door which opens out onto the cloisters, an excellent example of the Portuguese-Mudejar style. It is attributed to Francisco de Arruda, the architect who built the aqueduct and the Belem Tower in Lisbon.
The Ancient University
One reaches the courtyard entrance to the Ancient University from behind the Museum. Bordering the old wall towards the outside, following a long garden path, under the Colegiais Archway, one can see the Universidade do EspÃrito Santo (University of the Holy Spirit), founded by the Jesuits in the 16th century. A Renaissance building with a marble-pillared main door and splendid cloisters in very early baroque style.
Ermida de Sâo Bras
Proof of the work carried out by the best architects in Evora is the church outside the walls, on the road leading to the railway station. The Ermida de Sâo Brás (St. Blaise Shrine) is one of the early works by Diego de Boitaca, a forerunner of the Manueline style. The pointed, tubular buttresses and the crenellated roofing vaguely recollect his Lisbon and Oporto works although the uninhibited originality of the style can be appreciated.